[ad_1] Amongst the Regency splendour and opulent chinoiserie of Brighton’s Royal Pavilion, a series of contemporary art “surprises” will be popping up, with
[ad_1] Eli Scheinman (left) and Trevor Paglen (right). Photo: Caroline Tompkins. Courtesy Art Basel The artist Trevor Paglen will co-curate the third edition
[ad_1] Lot 33 spun into view, hanging on a revolving panel. The brilliantly coloured Women of Algiers (version O), Pablo Picasso’s postwar masterpiece,
[ad_1] An new exhibition, The Art of Becoming, is offering visitors to the Fine Arts Gallery in Casemates an insight to how we
[ad_1] Well, no it isn’t. But that doesn’t mean that the question’s not worth asking. It first came to my mind last week,
[ad_1] The Art Gallery of Burlington (AGB) is one of the region’s premier visual art institutions, and their spring exhibition – opening Saturday,
[ad_1] Ohhh…Alright…, oil and Magna on canvas by Roy Lichtenstein, 1964; sold at auction by Christie’s for $42.6 million on November 10, 2010.
[ad_1] In my line of work, I frequently need to world-build to bring a director’s vision to life. For me, world building goes
[ad_1] The tangled mess of overlapping claims that caused now-disgraced dealer Inigo Philbrick to shutter his gallery spaces in Miami and London—and then
[ad_1] ✕ Upon the recent opening of the new Conde M. Nast Galleries at the Metropolitan Museum in New York, and the inaugural