May 18, 2026
Fine Art

Weekly News Roundup: May 18, 2026


M+ and Centre Pompidou Establish Multiyear Partnership

Hong Kong’s M+ Museum has announced a new multiyear strategic partnership with the Centre Pompidou, coinciding with the latter’s five-year campus renovation that is scheduled for completion in 2030. Signed on May 15, the updated contract expands on a 2024 Memorandum of Understanding, broadening the two institutions’ collaboration across four areas: joint curatorial research, exhibition development, artwork co-commissions, and collection exchange. Among the initiatives is a postdoctoral fellowship based in M+’s curatorial department funded by the Huo Family Foundation; a landmark presentation featuring both museums’ collections, set to premiere at Centre Pompidou before traveling to M+; and a series of co-developed, research-based exhibitions to be staged at M+’s Focus Gallery as well as the Cissy Pui-Lai Pao and Shinichiro Watari Galleries in 2027–28. From 2027 onward, the M+ Façade as well as the rooftop Belvedere of Centre Pompidou Francilien – fabrique de l’art in Massy will also present co-commissioned moving-image works. In a press release, M+ director Suhanya Raffel said: “This partnership strengthens the cultural dialogue between Asia and Europe and supports the development of new narratives about the interconnected histories and contemporary realities of global visual culture.”

Installation view of SHAPE BLANK ATELIER’s The Jade: Plaza Calls to Plaza, 2026, steel plate, galvanized steel square tube, wood, mineral paint, steel cable, acrylic, 12.6 x 13 x 5 m, at the Taipei Fine Arts Museum (TFAM). Courtesy TFAM.

Taipei Fine Arts Museum Unveils 2026 Program X-site Commission

The Taipei Fine Arts Museum has unveiled The Jade: Plaza Calls to Plaza, the 2026 edition of its annual commission, Program X-site, by Taiwan-based design studio Shape Blank Atelier. Located on the outdoor plaza, the installation consists of a curved structure that, according to the museum, “gently [lifts] the ground plane”—a canopy without columns or walls, held up by steel cables that double as the musical strings of an instrument. Visitors can walk beneath the installation and touch them to activate the work as a sound device. Across the panels, a serpentine pattern abstracted from satellite images of the plaza echoes the brickwork below, a gesture of repeated looking that draws on Paul Cézanne’s repeated painting of Mont Sainte-Victoire as a “pursuit of truth.”

Winners of 2026 Archibald and Wynne Prizes Announced

Sydney’s Art Gallery of New South Wales (AGNSW) has selected Richard Lewer as the winner of the 2026 Archibald Prize, Australia’s most prestigious portraiture award. Born in 1970 in Aotearoa New Zealand and based in Melbourne since 1996, Lewer works across painting, printmaking, sculpture, and video to explore the dark complexities of the human condition. A six-time Archibald finalist, he clinched this year’s AUD 100,000 (USD 72,000) prize for his life-sized painting Iluwanti Ken (2026), which features the eponymous Pitjantjatjara elder and senior artist who is also a ngangkari (traditional healer). In a statement, Lewer said, “it was a complete treat . . . to be able to paint her on Country. I hope this work recognizes her role as a healer, artist, and custodian of the knowledge she carries and so generously shares.” Additionally, AGNSW announced Yolŋu artist Gaypalani Waṉambi as the recipient of this year’s AUD 50,000 (USD 36,000) Wynne Prize for her etched steel tableau, The Waṉambi tree, which depicts the ancestral honey hunter Wuyal of the Marrakulu clan. All finalists’ works are currently on view at AGNSW until August 16.

Exterior view of Powerhouse Parramatta, Sydney. Courtesy Powerhouse Parramatta.

Powerhouse Parramatta to Open in Sydney in Late 2026

Australia’s largest museum group, Powerhouse, will inaugurate its new flagship complex in Parramatta, Western Sydney, in late 2026. Designed by Paris-based Moreau Kusunoki—co-directed by Franco Japanese architect duo Nicolas Moreau and Hiroko Kusunoki—in collaboration with Australian firm Genton, the 30,000-square-meter building houses seven large-scale galleries, a cinema, a theater, a learning and digital space, 30 artist studios, an expansive rooftop garden, and dining facilities. The institution is conceived as a site of cross-disciplinary exchange, fostering collaboration between artists, researchers, and scientists. Programming extends beyond exhibitions to include community-facing initiatives: a STEM education program developed in partnership with The Lang Walker Family Academy and a large-scale demonstration kitchen presented with the Vitocco Family Kitchen, gathering chefs from around the globe. “Powerhouse Parramatta is a new generation museum, conceived to redefine the role of cultural institutions in contemporary life,” said Lisa Havilah, chief executive of Powerhouse.

Portrait of KIM SOUN GUI. Photo by Patrick Bokanowski. Courtesy AWARE: Archives of Women Artists Research and Exhibitions – Centre Pompidou, Paris.

2026 AWARE Prize Winners Revealed

The results of the 10th edition of the AWARE Prize—its first iteration since AWARE: Archives of Women Artists, Research & Exhibitions joined Centre Pompidou as an institutional program in January 2026—were announced on May 12 at the French Ministry of Culture. Kim Soun Gui, a poet, multimedia artist, and teacher based in France, was awarded the Outstanding Merit Prize. Born in 1946 in Buyeo, South Korea, she works across painting, photography, performance, installation, and experimental video. Rooted in her background in semiotics and a sustained reflection on language, her practice engages cross-cultural philosophies and the dialogue between Eastern and Western thought. In addition, AWARE’s Nouveau Regard Prize was presented to Paris-based artist Laura Gozlan. Works by both laureates will enter the collection of the Centre Pompidou.



Source link

Leave a Reply

Your email address will not be published. Required fields are marked *